Adaptive Proof Panel L10
0.0s
Previews are illustrative demonstrations of the technique — not your footage. Your real edit is produced later by Claude Code.
L10 · Layouts · advanced · 3–30s
When evidence appears the speaker's shot shrinks into a band and a proof panel takes the rest, resizing as more evidence arrives, then hands the frame back.
The frame allocates space dynamically between the talking head and the supporting evidence. When the speaker references proof, their shot contracts into a rounded band and a labelled evidence panel rises into the freed space; if a second piece of evidence follows, the panel grows and the speaker band shrinks further. When the proof section ends, the speaker reclaims the full frame — the layout always reflects what matters right now.
Try the parameters
Local path Claude Code can read. Never uploaded.
Best used for
- — Results and case studies
- — Receipts and screenshots
- — Claims that need backing
- — Reviews and testimonials
Assets
- ● Source video required
- ● Screenshots required
- ○ Social comment optional
- ○ Document / PDF optional
- ○ Verified data optional
- ○ Screen recording optional
Pairs well with
If assets are missing
Without supplied evidence, do not use this layout — keep the speaker full-frame and note in the report which claim lacked proof.
Accessibility
Evidence must stay legible: smallest text in the screenshot ≥ 2.5% of frame width after fitting (zoom/crop to the relevant region if not), and hold the panel ≥ 2s per item.
Individual prompt
updates with the parameters above# CES style instruction — L10 Adaptive Proof Panel You are an experienced motion designer and video editor working in Claude Code. Apply the **L10 Adaptive Proof Panel** technique to the supplied footage as specified below. **B. Project configuration:** 1080×1920, 9:16, 30 fps · Source video: not provided — ask the user for the path before starting · Video language (on-screen text & captions): English **Layouts** — The frame allocates space dynamically between the talking head and the supporting evidence. When the speaker references proof, their shot contracts into a rounded band and a labelled evidence panel rises into the freed space; if a second piece of evidence follows, the panel grows and the speaker band shrinks further. When the proof section ends, the speaker reclaims the full frame — the layout always reflects what matters right now. ### L10 Adaptive Proof Panel - **When:** ≈ 00:00.00 → 00:08.00 (≈ derived — adjust to the nearest natural beat in the footage) - **Layer / track:** V1 (main picture) - **What it does:** When evidence appears the speaker's shot shrinks into a band and a proof panel takes the rest, resizing as more evidence arrives, then hands the frame back. - **Parameters:** Evidence share: 62%; Speaker placement: Top band; Resize duration: 0.45 s; Evidence panel: Floating card; Source label: (not set); Highlight the key detail: on; Accent: #D7FF5F; Evidence file: (not set) - **Steps:** 1. Between from 00:00.00 to 00:08.00, run the talking head full-frame until the speaker first references the evidence (find the moment in the transcript; list it in your report). 2. Evidence: use only the real screenshots/documents the user supplied for this claim. If none are supplied, stop and ask — never mock up evidence. 3. Reallocation: over 14 frames using a fast expo-out curve (cubic-bezier(0.16, 1, 0.3, 1)), contract the speaker into a rounded top band (32% of frame height, 3% margins, radius 3% of width, face re-centred by re-cropping) and raise the evidence panel into the remaining 62% (1190px). 4. Panel: a floating card with a 2.5% radius and soft shadow, evidence fitted with object-fit: contain on #16181C. Scale every source uniformly (object-fit: cover for crops, contain for fits) — never stretch footage, screenshots or recordings to a region's aspect ratio. Label it with the source taken from the file name or the user's description in small mono caps plus "SUPPLIED". Outline the specific detail the speaker cites with a #D7FF5F rounded rectangle that draws on 6 frames after the panel lands. 5. If a second piece of evidence follows within the same section, grow the panel by up to 12% of frame height (speaker band shrinks accordingly) and stack the new item in with the same easing; never go below 20% height for the speaker band. 6. When the speaker moves on, reverse the reallocation so the talking head returns to full frame. Implement in Remotion with interpolated container rects (top/height) for speaker and panel; keep captions in the speaker band or above the panel, never over the evidence. - **Assets:** Source video (⚠ MISSING), Screenshots (⚠ MISSING) · optional: Social comment, Document / PDF, Verified data, Screen recording - **Fallback:** Without supplied evidence, do not use this layout — keep the speaker full-frame and note in the report which claim lacked proof. **G. Asset integrity and restrictions:** - Do not create or present invented testimonials, comments, quotes, reviews or endorsements. - Do not fabricate numbers, metrics, charts or results. Data visualisations use only the supplied data. - Do not create fake screenshots or UI and present them as real. Illustrative graphics must be clearly illustrative. - Do not attempt unsupported 3D reconstructions or perfect subject separation without a mask; use the documented 2D fallbacks instead. **I. Quality verification:** - Check output dimensions and aspect ratio with ffprobe — they must match the configuration exactly. - Check the output frame rate and that the duration is within ±0.5 s of the target. - Check audio/video synchronisation at the start, middle and end (lip-sync and SFX hits within 1 frame). - Inspect frames at every beat boundary for text clipping, overflow and safe-zone violations. - Confirm the output file exists and plays — never claim a render is complete without an actual output file. - Report any missing asset or unimplemented effect explicitly.
More layouts styles
Use a layout when two things must be seen at once. Only one full-frame layout can be active at a time.
- L01Vertical Split ScreenThe frame divides into two regions — speaker in one, a screen recording or second shot in the other — split by a divider at an adjustable ratio.
- L02Picture-in-Picture FocusThe source media fills the frame while the speaker sits in a rounded window in one corner that glides to another corner when detail appears beneath it.
- L03Triple StackThree media bands stack vertically and the focal band grows to take most of the frame while the other two shrink and dim, shifting with the script.
- L04Floating Device FrameA screen recording plays inside a polished phone, tablet or browser mockup that floats in with a gentle 3D tilt over a soft background.
- L05Editorial SidebarA clean text panel slides in from one side while the speaker re-centres in the remaining frame, then fills with a heading and numbered notes.
- L06Center SpotlightThe shot contracts into a sharp central frame with a thin accent ring while the surrounding area becomes a blurred, darkened copy carrying context labels.
- L07Grid ConversationSpeakers or references populate a 2×2 (or 1+2) grid tile by tile, and a highlight moves to whoever is currently talking.
- L08Cinematic LetterboxBlack bars close in from top and bottom to a true 2.39:1, 2:1 or 1.85:1 band, cropping (never stretching) the shot into a cinematic frame.
- L09Collage CanvasPhotos, a speaker cut-out, a screenshot and a note card fly onto a paper canvas and settle at slight angles around a bold headline.